Collections

A graphic with a solid black background. At the top is the logo for the "American Archive OF PUBLIC BROADCASTING," which features a colorful, pixelated square replacing the letter "A" in "Archive." Below the logo, large white text reads "GBH Archives," and underneath that, "Special Collection."

A Finding Aid for GBH Special Collection Promotional Reel

This AVAnnotate project serves as an interactive finding aid for the GBH Archives Special Collection promotional reel, offering viewers a deeper dive into the featured content. By providing detailed annotations for each clip, the project contextualizes the footage and directs users to the full-length programs available in the American Archive of Public Broadcasting. Designed to […]

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A grid of four black-and-white photographs showing a man in a suit and tie seated at a desk with a clipboard, pen, cigarettes, and a glass of water. He is captured in different conversational poses: looking left while speaking, gesturing with his hand, listening thoughtfully with a finger to his lip, and smiling while holding his pen.

Re-Sounding Poetries: Collections, Classrooms, Communities

This AVAnnotate project explores the final annual Sound Institute of the SpokenWeb SSHRC Partnership, Re-Sounding Poetries: Collections, Classrooms, Communities, at the University of British Columbia, Okanagan, in Kelowna, in May 2025. Over four days, poets, professors, archivists, artists, librarians, and researchers participated in a “summer camp” of immersive literary-audio activities. During the SpokenWeb Collections Showcase—where each

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A grid of four black-and-white photographs showing a man in a suit and tie seated at a desk with a clipboard, pen, cigarettes, and a glass of water. He is captured in different conversational poses: looking left while speaking, gesturing with his hand, listening thoughtfully with a finger to his lip, and smiling while holding his pen.

The Mike Wallace Interview

This AVAnnotate project, created by Trent Wintermeier, presents several annotated interviews of famous figures, such as Frank Lloyd Wright and Salvador Dalí, from the Mike Wallace interview, held in the Harry Ransom Center collections. The project is designed as a teaching and learning tool to show how instructors can incorporate archival audiovisual material into coursework.

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A black and white portrait photograph of a smiling older couple outdoors. The woman on the left has short light hair with bangs and wears a light-colored coat. The man on the right has a full white beard, is smiling, and wears a dark beret, a dark coat, and a tie.

John Beecher and the McComb “Criminal Syndicalism” Case

This project (originally created by Bethany Radcliff and Kylie Warkentin in 2021; updated and revised by Kylie Warkentin in 2025) serves as an educational example of working with and annotating sensitive audio using the “‘Criminal Syndicalism’ Case, McComb, Mississippi (Side 1)” recording from the John Beecher Sound Recordings Collection at the University of Texas’s Harry Ransom Center. In this

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A poster or program cover for "A Symposium on Contemporary Art and Literature of Latin America." The center features large, angled, bold purple text that reads "Speak-Out! !Charla! Bate-Papo!". Additional smaller text notes the dates "October 27-29, 1975," lists various university sponsors, and provides the location at the Joe C. Thompson Conference Center in Texas.

Speak-Out! Symposium Collection

The Speak Out! Symposium AVAnnotate site, developed at the LLILAS Benson Digital Scholarship Lab by Rebekah Ramos and Ash Catalan, presents a digital edition of the 1975 UT Austin symposium “Speak-Out! Charla! Bate-Papo! Contemporary Art and Literature in Latin America.” It features time-coded recordings of panels held over three days, in English, Spanish, and Portuguese,

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An older video still of a smiling woman with voluminous curly blonde hair wearing a light pink blazer over a mauve blouse, seated at a desk and looking at a piece of paper in her hands.

Annotating Adler: Identity and Embodiment in the Stella Adler Collection

This project by Zoe Bursztajn-Illingworth contextualizes recently digitized video from the Stella Adler and Harold Clurman Collection at the Harry Ransom Center. The eleven digitized videos, provided to the public by The Ransom Center, show Adler teaching at the Stella Adler Studio of Acting between 1969 and 1980 as well as being interviewed by Bob

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